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Tag Archives: dini lamot

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Dini Lamot_There are several different design styles in the Flashpoint Gallery, much of your work uses the collage technique. Why did you take that design approach?
March 26, 2017

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Dini Lamot_Some of the work in the gallery comes from musicians who were in art school. Is that where you developed you artist skills?
March 26, 2017

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Joanne Kaliontzis_If you look at the Human’s Dini Lamot’s poster from Cantones, what do you think he might be saying?
March 25, 2017

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Willie Alexander_If you look in the Boston Flashpoint Gallery there are lots of different styles of work. What posters jump out at you and why?
March 23, 2017

 

Live video produced by Benjamin Bergery & Jan Crocker
with the MIT Film/Video Section
Edited by Jan Crocker

Human Sexual Response “Southern Exposure” – Streets, Boston 1982
February 20, 2016

 

Produced by Benjamin Bergery & Jan Crocker
Edited by Benjamin Bergery

Human Sexual Response “What Does Sex Mean To Me?” – Streets, Boston 1982
February 20, 2016

 

Produced by Benjamin Bergery & Jan Crocker
Edited by Benjamin Bergery

Human Sexual Response “Question of Temperature” – Streets, Boston 1982
February 20, 2016

Live video produced by Benjamin Bergery & Jan Crocker
with the MIT Film/Video Section
Edited by Jan Crocker

Human Sexual Response “Public Alley 909” – Streets, Boston 1982
February 20, 2016

 

Produced by Benjamin Bergery & Jan Crocker
Edited by Benjamin Bergery

Human Sexual Response “Pound” – Streets, Boston 1982
February 20, 2016

 

Live video produced by Benjamin Bergery & Jan Crocker
with the MIT Film/Video Section
Edited by Jan Crocker

Human Sexual Response “Land of the Glass Pine Cones” – Streets, Boston 1982
February 20, 2016

 

Live video produced by Benjamin Bergery & Jan Crocker
with the MIT Film/Video Section
Edited by Jan Crocker

Human Sexual Response “Blow Up with RM” – Streets, Boston 1982
February 20, 2016

 

Produced by Benjamin Bergery & Jan Crocker
Edited by Benjamin Bergery

Human Sexual Response “Andy Fell” – Streets, Boston 1982
February 20, 2016